Experimental Controllers for Live Electronic Music Performance (Vs. Copyright)

This paper describes the design and development of several musical instruments and MIDI controllers used in club performances around Glasgow during 1995-2002. It argues that changing technologies and copyright are shifting the understanding of music from "live art" to "recorded medium" whilst blurring the boundaries between sound and visual production.

Provided by: University of Dundee Topic: Software Date Added: Apr 2002 Format: PDF

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