You seem to think the pentagon is NOT laying any rules down as to what can and can't be reported in teh USA. THis is getting old now, because PROOF from the Pentagon themselves has been shown here seeral times for th exact same reason, some idiot sayign it possibly couldn't be so.
When they said NO caskets were to be filmed returning fom Iraq. Do you think this an isolated rule that sat by itself or an ammedment to a document that already exists?
When they said no pictures of injured American soldiers wer to be shown. Do you think this an isolated rule that sat by itself or an ammedment to a document that already exists?
Why is it that in Canada, I see the blood and gore, the maimed children in various news stories regarding the war. I flip to US channels, and not even a slight mention, yet along a pictoral represntation of the atrocities of the war.
You are fed with kid gloves and plastic spoons.
You hear what you want to hear as it is not a good idea to show Americas reality or they would never support war in the future.
War censorhsip has been lightened up since Nam (Nam was the big turnaround with so many freelance reports goig unedited), it has been a FACT since WWII that the US government restricts what can and cannot be shown regarding the war.
Just look at all the US propaganda films from WWII, how would they explain all the horrors after showig all those films? (Again, just use a search engine and look for US WAR CENSORSHIP, or FREEDOM of the PRESS or Iraqi Reports Censored in the USA and you will see it all.
Now, you will ultimately just deny it could happen in your great country and it MUST be my substanmdard socialist country's reports that are feeding me such BS.
So explain the footage from the frontline.
Did you see the 2 hr, 2 part documentary called DEADLINE IRAQ where reporters were voicing thier distaste for everything being censored. There were US reporters who were not allowed to air footage in the USA that had already been aired in Canada.
"Now that the war is "over", journalists and journalism are still making headlines. Christaine Amanpour of CNN has stated that the coverage of the war, prticularly in America, was too driven by partiotism, John Burns of the New York Times recently said that the Iraq war highlights how corrupt journalism has become. His colleague at the Times, Judith Miller, has heself been accused by some media observers of being corrupted by Pentagon influences. The controversy around Tony Blair ad the BBC's coverage of the war continues to boil.
Give all this, we thought it would be fascinating and informative to zero in on the journalists who were there. Whether there were logistical impediments to getting theri stories out, or editorial concerns, or military restriction, there was much that they cound't, or wouldn't say during the war. Now they can. We interviewed nearly 50 journalists from around the world, representing the broadest range of media affiliations. You can read th eentire interviews from 12 ofd them here on our website.
And th ecomposite picture they give us of this war is one that we didn't really see: what went on behind the scenes, the fear, the exhilaration, the tedium, the professional gratification, as well as the toll it took on them emotionally and psychologically. It is their storis, as well as footage and pictures that NEVER saw air tiem during the war, that lie at the heart of "Deadline Iraq: Uncensored stories of the War."
I just finished watching another British documentary narrated by a former republican cabinet member about Timothy McVeigh and how the US had hidden a lot of VERY conclusive evidence regarding the second person in the truck and how they knew exactly who he was. How the building was not destroyed by teh truck bomb alone but the engineers onsite even agreed there was an internal explosion as well in order to remove key supports. These supports and evidence we later destroyed before the engineers were finished the report.
How the MANY cameras surounding the area were also disallowed in court, wheras they would only have rpovided information regarding the second person. Public privacy concerns were raised and the films were disallowed. Would this not make ANY further film whatsoever by big brother to be disallowed as it infringes on public provacy?
Too many questions ad too much grey area surrounding America. Hooray for the red, GREY and blue.
So Canadian documentary not allowed to be aired in the US as it does not favour the current administration or laws surrounding censorship.
British doumentary regarding McVeigh(sp?)not allowed to be aired in the USA as it does not favour the administration or laws surounding censorship.
And then there's Christopher who feels the world's media is all biased and wrong, while the USA is showing the True Hollywood Story.